Rube Bloom - Foreword

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The saxophonist would add this tune to his repertoire and recorded it live in Copenhagen in Black Lion — but not issued and for Prestige Records in Tower of Power where he gave it a funk ambience in keeping with the times. Reflecting the significance of this track, several reissues of This Time the Drums on Me would be titled Stanley the Steamer. Lasting for 16 choruses and over five minutes, it is endlessly creative and soulful with each chorus building on the one before it. In typical Gordon fashion, there is plenty of space and double-time runs generally come towards the end of a chorus.

The complete discographical information for this session, including solo information, is as follows:. Additional Reading: Gordon, Robert. London, Britt, Stan. A Brief Return of Dexter Gordon Nineteen fifty-five was the year that the inch LP became the preferred format for issuing jazz recordings and the beginning of a decade-long period that produced some of the most revered and influential albums in the history of this music.

The chronology of this line is as follows: Title Rec. The nearest I ever came to a fight at school was when, one noontime, we were playing baseball and a boy of my own age and size got angry at me and dared me to lay my hand on him. I did it quickly, but his bite did not follow his bark. I was never whipped at school or at home that I can remember, though I no doubt often deserved it. There was a good deal of loud scolding in our family but very few blows. Father and Mother had a pretty hard struggle to pay for the farm and to clothe and feed and school us all.

We lived off the products of the farm to an extent that people do not think of doing nowadays. Not only was our food largely home grown but our clothes also were home grown and home spun. In my early youth our house linen and our summer shirts and trousers were made from flax that grew on the farm.

Truckin' (Rube Bloom) / Kelli Rae Tubbs at Birdland - 05 June 2017

Those pioneer shirts, how vividly I remember them! They dated from the stump, and bits of the stump in the shape of "shives" were inwoven in their texture and made the wearer of them an unwilling penitent for weeks, or until use and the washboard had subdued them.

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Peas in your shoes are no worse than "shives" on your shirt. But those tow shirts stood by you. If you lost your hold in climbing a tree and caught on a limb your shirt or your linen trousers would hold you. The stuff from which they were made had a history behind it—pulled up by the roots, rooted on the ground, broken with a crackle, flogged with a swingle, and drawn through a hetchel, and out of all this ordeal came the flax.


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How clearly I remember Father working with it in the bright, sharp March days, breaking it, then swingling it with a long wooden sword-like tool over the end of an upright board fixed at the base in a heavy block. This was to separate the brittle fragments of the bark from the fibres of the flax. Then in large handfuls he drew it through the hetchel—an instrument with a score or more long sharp iron teeth, set in a board, row behind row. This combed out the tow and other worthless material. It was a mighty good discipline for the flax; it straightened out its fibres and made it as clear and straight as a girl's tresses.

Out of the tow we twisted bag strings, flail strings, and other strings.

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With the worthless portions we made huge bonfires. The flax, Mother would mass upon her distaff and spin into threads.

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The last I saw of the old crackle, fifty or more years ago, it served as a hen roost under the shed, and the savage old hetchel was doing duty behind the old churner when he sulked and pulled back so as to stop the churning machine. It was hetcheling wool then instead of flax. The flax was spun on a quill which ran by the foot and the quills or spools holding the thread were used in a shuttle when the cloth was woven.

The old loom stood in the hog-pen chamber, and there Mother wove her linen, her rag carpets, and her woollen goods. I have "quilled" for her many a time—that is, run the yarn off the reel into spools for use in the shuttle. Father had a flock of sheep which yielded wool enough for our stockings, mittens, comforts, and underwear, and woollen sheets and comforts for the beds.

I have some of those home-made woollen sheets and bed covers now at Slabsides. Before the sheep were sheared in June they were driven two miles to the creek to be washed. Washing-sheep-day was an event on the farm. It was no small task to get the sheep off the mountain, drive them to the deep pool behind old Jonas More's grist mill, pen them up there, and drag them one by one into the water and make good clean Baptists of them!

But sheep are no fighters, they struggle for a moment and then passively submit to the baptism. My older brothers usually did the washing and I the herding. When the shearing was done, a few days later the poor creatures were put through another ordeal, to which after a brief struggle they quickly resigned themselves. Father did the shearing, while I at times held the animal's legs.

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Father was not an adept hand with the shears and the poor beast usually had to part with many a bit of her hide along with her fleece. It used to make me wince as much as it did the sheep to see the crests of those little wrinkles in her skin clipped off.


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I used to wonder how the sheep knew one another and how the lambs knew their mothers when shorn of their fleeces. But they did. The wool was soon sent to the fulling mill and made into rolls, though I have seen it carded and made into rolls at home by hand.

How many bundles of rolls tied up into sheets I have seen come home! Then in the long summer afternoons I would hear the hum of the big spinning wheel in the chamber and hear the tread of the girl as she ran it, walking to and fro and drawing out and winding up the yarn. The white rolls, ten inches or more long and the thickness of one's finger, would lie in a pile on the beam of the wheel and one by one would be attached to the spindle and drawn out into yarn of the right size.

Each new roll was welded on to the end of the one that went before it so that the yarn did not show the juncture. But now for more than sixty years the music of the spinning wheel has not been heard in the land. Mother used to pick her geese in the barn where Father used to shear the sheep; and to help gather in the flock was a part of my duty also.

The geese would submit to the plucking about as readily as the sheep to the shearing, but they presented a much more ragged and sorry appearance after they had been fleeced than did the sheep. It used to amuse me to see them put their heads together and talk it over and laugh and congratulate each other over the victory they had just won!

The goose is the one inhabitant that cackles as loudly and as cheerfully over a defeat as over a victory. They are so complacent and optimistic that it is a comfort to me to see them about.

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The very silliness of the goose is a lesson in wisdom. The pride of a plucked gander makes one take courage. I think it quite probable that we learned our habit of hissing our dissent from the goose, and maybe our other habit of trying sometimes to drown an opponent with noise has a like origin. The goose is silly and shallow-pated; yet what dignity and impressiveness in her migrating wild clans driving in ordered ranks across the spring or autumnal skies, linking the Chesapeake Bay and the Canadian Lakes in one flight!

The great forces are loosened and winter is behind them in one case, and the tides of spring bear them on in the other. When I hear the trumpet of the wild geese in the sky I know that dramatic events in the seasonal changes are taking place.

I was the only one of the ten children who, as Father said, "took to larnin'," though in seventy-five years of poring over books and periodicals I have not become "learned. The others barely learned to read and write and cipher a little, Curtis and Wilson barely that, Hiram got into Greenleaf's Grammar and learned to parse, but never to write or speak correctly, and he ciphered nearly through Dayball's Arithmetic.

I went through Dayball and then Thompkins and Perkins and got well on into algebra in the district school. My teacher, however, when I was about thirteen or fourteen, did not seem much impressed by my aptitude, for I recall that he told other scholars, boys and girls of about my own age, to get them each a grammar, but did not tell me. I felt a little slighted but made up my mind I would have a grammar also. Father refusing to buy it for me, I made small cakes of maple sugar in the spring and, peddling them in the village, got money enough to buy the grammar and other books.

The teacher was a little taken aback when I produced my book as the others did theirs, but he put me in the class and I kept along with the rest of them, but without any idea that the study had any practical bearing on our daily speaking and writing. That teacher was a superior man, a graduate of the state normal school at Albany, but I failed to impress him with my scholarly aptitudes, which certainly were not remarkable.